Andrew Brown
English 1101
September 29, 2008
Ms. S. Aiken
Hammer of the Gods
Imagine a dark summer afternoon. The grass is crisp underneath your body and hands. There is
a soft murmur of passing people. Their chit-chat is distant and it is a loud and quiet environment. Before you is the most beautiful stage you have ever seen. It is wide and narrow so that all members of the band can be seen. There is a large screen for projected images in the background. In the forground, the stage is covered in a low flame. Spotlights, strobe lights, and speakers are strategically positioned around it. You are close enough to see, yet not at the compromise of your personal space. A gentle breeze is blowing and calming. It is the concert of your dreams.
Finally, after many hours of anticipation, a man appears on stage. It is Layne Staley, the front man of
After a brief applause, nobody says a word. Jerry steps off the stage with the rest of the band. A flash of light soars out across the crowd leaving temporary blindness. Suddenly a hum in the amplifiers breaks the silence, and it is Soundgarden. Chris Cornell, front man, opens with “Rusty Cage.” Everybody is on their feet jumping. They follow with “Pretty Noose,” “Jesus Christ Pose,” and “Black Hole Sun.” Applause and the band takes a bow. Cornell points off stage and yells “Stone Temple Pilots!” Scott Weiland and the DeLeo boys come out. The stage is wide and narrow. The bands are spread so that they can all be seen. The band proceeds to play “
After the audience thought they could take no more amazing music, Pearl Jam joins the stage. Eddie Vedder, of Pearl Jam, and Scott Weiland, of Stone Temple Pilots, greet each other. In a meeting that could be almost unreal, Vedder thanks the audience. Stone Temple Pilots leave the stage and there is a silence again. Somewhere there is a sickly sweet sound of cicadas calling. The wind blows and some papers rustle by. The other concert-goers are wide eyed and mouth-agape. Vedder yells “God bless this land!”, and there is the rip of a slide down the guitar. It is the opening note of “Even Flow,” the sour sweet tale of the homeless community. You are on your feet again, screaming along with the lyrics, in your raspy voice you’ve developed. Vedder’s voice is like an angel sent from heaven, and the audience is like his holy chorus. The song ends and it immediately starts “Jeremy.” The innocence of a young boy against the odds is perfectly portrayed in this ballad. The guitar solo pulls repeatedly at your heartstrings, for you know the boy in the song has killed himself. Jeremy, the American hero, has fallen. The fields are filled with the rich and raw sound of Stone Gossard’s guitar. The notes playfully land on your ears, and your eyes glaze over from the excitement. Pearl Jam continues to finish their set with “Black.”
At the end of that song, Vedder is joined Cornell, Weiland, and Staley. They bow. The whole audience is screaming “More, more!” The bands bow once more. There is another flash of lights, and the stage is empty. It was almost as if the whole concert was a dream. The roaring is more than your ears can handle. Your voice is dead and your hands are reddened. Tears stream from your eyes as you are overwhelmed. The single greatest expirience of your life has come to an end.
